Monday, 30 September 2013

Bruce Gilden

Bruce Gilden 


"I'm known for taking pictures very close, and the older I get, the closer I get."


Bruce Gilden; an Brooklyn Street Photographer who has been capturing images of urban spaces within america for over twenty years.


What an inspirtation this photographer is, he has one of the most unique styles i've ever come across.
Bruce Gilden captures his images in black and white, which is firstly why he is a great street photographer to research in order to aid myself in my own project of street photography as i too will be using a 35mm camera with black and white films. I think before going on to speak any further about this photographer and what I love about his style of photography and the outcome of his images, it would be of great importance that I include a video of him at work, in order to properly show his technique. 



Street shots New York, Bruce Gilden

This video really goes to show how brave Bruce Gilden is! What I've found is the main barrier between a street photographer and capturing the images they wish to capture, is the fear of what people in the streets may think of you or what they may say. I've personally found that receiving looks from the public just for walking with my camera in my hand down a street is daunting enough, never mind the looks or abuse a photographer may receive for holding a camera and flash less than a meter away from a person's face. 
This attitude of not caring what people think however, is what really enables Bruce Gilden to capture these unique images. This is therefore why, as an ammeter street photographer, I admire him, as I know that I too must acquire the same attitude if I want to capture images in the streets of everything I want to. 

So its pretty obvious why Bruce Gilden's images are so unique compared to any other photographer? Whats so successful about this up-close technique in which he uses, is that the viewer is almost drawn into the image  when looking at it; You as a viewer, feel as though you're there, in that moment, that close to the subject in the image. 

What Bruce Gilden also does so successfully, which I am going to try within my own street photography, is spotting quirky "characters" as he calls them, to photograph. I've found myself that when walking through the street with a camera, constantly searching for interesting people to photograph, you spot so many out of the ordinary people and things, that you wouldn't normally see on a day to day basis as you rush through the street, in your own little world, like everyone else. 

In the video various images were shown of Bruce Gildens work in NewYork, however these are not the only series of images by Bruce Gilden that i find interesting and inspiring.


Coney Island;










What I love about Bruce Gilden's images from Coney Island, is the slight sense of humor within them. These images really remind me of the work of Martin Parr, I love how the images are a true representation of people. I think when any person looks at the images, they would be able to relate to them and have a slight laugh, as we all know that these are the kind of sights we see on and around our beaches every summer. 

One interesting factor I have found when researching further into Bruce Gilden which surprised me, is that not all of his images are of people acting naturally, some of the images he takes are set up or posed. In this video, you are given an interesting insight and told the story by Bruce Gilden behind each image. while watching this it was then when i realised that at times, Bruce asks interesting Characters  to step aside and pose for him to take a photo. 



As I discussed in my last blog, on Tanya Nagar, I personally find it really interesting and helpful to hear or read the photographers story or opinion of their image, as it allows you as the viewer to really appreciate and understand what the photographer was intending to capture. 

Wednesday, 25 September 2013

The New Street Photographers Manifesto - Tanya Nagar


           Tanya Nagar

         


So before actually starting this project, last week at the National Media Museum, I bought this book: 'The New Street Photographers Manifesto' By Tanya Nagar. I personally think it is amazing! I thought I'd share a bit about this book as I think it is the perfect book for anyone who is new to Street Photography. 
The book covers everything from 'The mind of the street photographer' to the Laws around taking photos in public places in the UK, to the technical aspects; Aperture, Shutter Speed, light. 

Whats really interesting about this book is not just the photographer's vast range of street photogrpahy, but the way she presents each image with the story below it, explaining where it was took, why she took it, how it could have been better..ect. What i love about this is by being given the photographers insight into their take on the image, you then come to view and think of the image in a very different way.

Biker Boy

Biker Boy- Zurich, Switzerland 
"I spotted this man taking a smoke on his bike, overlooking the river. i shot an image from the back, and then as i walked past i decided to shoot him face-on. As i composed and focused, he looked up and spotted me. At first i wasnt sure if he was angry as he remained serious, as though he was wondering why i was shooting him. i smiled at him, and he smiled back- a sign that he was okay with photographed. The tension immediately disappeared after this simple, natural gesture.



  

This example leads me onto the section which i think is probably most helpful in the book.  "The mind of the street photographer."Here Tanya Nagar gives some helpful tips and words of advise, on todays society and the mindset you should have to allow you to be successful in street photography.


"Todays society is paranoid more than ever of being captured on camera. As a photographer, you must be conscious of social norms and be sensitive to those you might be shooting, particularly when dealing with the likes of children and the vunerable, for example. by the same token, being too cautious will mean you will constantly be worrying about what people think of you."

"Practically every street photographer at some time or another will be on the recieving end of hostility. But any hostility can be appeased by one very simple gesture- a smile. in my experience, smiling breaks down the barrier between subject and photographer. "


Zurich

I like the mystery of this image, the way the focus of the image is on the two people with their backs to the camera. I think this would be an interesting experiment to do in my own street photography; walking behind various characters and capturing images of them on their journey around  the streets. 


The Norm



Street Nap


Truths and Myths about photography laws in the UK. 

Truth:

While there are certain restrictions around photographs on private property, there are no restrictions on taking photographs on public land. 

Truth:

With exception of Trafalga Square and Parliment in London and any Royal Park, there is no general requirement to seek permission to photograph on public land. 

Myth:

you cant photograph buildings on private property.


Myth:

"I am a police officer/traffic warden/security guard/ i can destroy your photos."

Truth: 

Although a Police officer may prevent you from taking pictures in certain limited circumstances, no police officer, traffic warden or security guard can make you delete a photograph. 





All images, quotes and information are from Tanya Nagar's book and website; 


http://www.tanya-n.com/