Thursday, 15 October 2015

Photographer Research: Martin Parr




Martin Parr 

Following my research on Peter Dench, and my study of many photographers who have photographed Britain, and In particular the working classes, the next photographer I aim to look at is Martin Parr.

The work of Peter Dench which was very colourful, bold, brash and honest really reminded me of work I have previously seen by Martin Parr. Although Martin Parr has photographed all over the world, I am aware of some work he has produced of British people. Parr is a documentary photographer who often photographs these 'everyday' people as i earlier referred to them as in a previous post. The vast majority, the working class, the average classes. Past work by Martin Parr has been of tourists abroad and British people at the seaside.

http://www.magnumphotos.com/C.aspx?VP3=SearchResult&ALID=2K1HRGQP4RD

Martin Parr's 'Life's a beach' documents British people on Brighton Beach in the 1980's. a lot of Martin Parr's work is used as his own propaganda or as his own way of addressing current day issues and political views. This project is a perfect example of that. During the 19980's a great emphasis on the working class was in place due to Thatcherism and conservatives ruling Britain. As it may be common knowledge to many, working class people struggled during these times more than ever due to the loss of so many jobs due to government cuts.

This concept of photographing working class people and the everyday people of Britain links with my own minor project. Much controversy had been caused over this project by Martin Parr due to the fact he was more a middle class individual and he was chosing to present photographs which some argued portrayed the working class in a negative light, saying his work was almost a mockery of the working or lower classes.



http://www.magnumphotos.com/C.aspx?VP3=SearchResult&ALID=2S5RYDYDHEB9



http://www.magnumphotos.com/C.aspx?VP3=SearchResult&ALID=2S5RYDYDHEB9



This issue of what to photograph and how the images may be read by the viewer is something I have been considering much so in my own work. The interesting aspects when photographing subject matter such as this does tend to be the more grim aspects however this can then lead to the images being read as a negative portrayal of whatever I as the photographer am trying to portray. 






No comments:

Post a Comment